Samson & Delilah (2009) – open your eyes!

This film hit me where it hurts.

Ever since I was old enough to have even the very beginnings of a social conscience, I felt that the colour of my skin automatically aligned me with a group of people who seemed to consistently invade lands, and hurt the people who lived there. In school you were taught about Australian history as it pertained to settlers migrating from the “motherlands” of England, Ireland, Scotland, etc. Never about how the people who ALREADY lived here used to go about their lives before that migration, *cough*, invasion… Never about their languages, beliefs, customs and traditions. Never.

This film depicts the all-to-real reality of what it’s like to be born into a downward spiral. Samson, a 15 year old Walpiri boy, and the film’s leading man, lives a monotonous and isolated outback life. His day begins with a compulsive inhalation of petrol from a can. Whilst a repetitive reggae riff is played outside his bedroom window by his brother’s band. The rest of his days are spent trying to stave off complete boredom – more often than not, unsuccessfully. The altered state of consciousness that petrol-sniffing brings is his only escape – and his only hobby.

In the same town is the teenage Delilah, with whom Samson is completely in love. Delilah is a mature-beyond-her-years young woman, who spends her days caring for her only apparent relative and companion, her nana, Kitty. Delilah wakes Kitty each morning to take her medication. She wheels Kitty to the local health clinic and church, then spends the rest of the day helping her to paint the dot-paintings that are in such high demand. The utter poverty in which they are forced to live is made all the more poignant when, later on, you discover how much these dot-paintings are sold for in the cities.

There is little more than a few sentences of dialogue in the entire film, perhaps less than half of that is in English. The lack of conversation between characters makes every gesture and glance feel as though it were magnified. The director, Warwick Thornton’s, attention to visual detail amplifies this even more. He is also the screenwriter. For someone who loves dialogue and conversation – I was surprised that I didn’t want to hear anyone speak. Like there was a danger it might detract from what was unspoken.

The beaten-black-and-blue love story between Samson and Delilah barely equates to more than a smile and a quick peck on the forehead, but rarely have I been so moved by an on-screen love as I have with these two.

This film must come with a warning: it will confront you and, quite likely, move you to tears, as it did me. You’re likely to feel the absolute desperation that these kids are living. You might ask yourself, ‘how did we come to this?’ and you might, like me, want to slap a few smug cafe-dwelling whities… I guess I should start with myself?

Samson & Delilah opens in Australian cinemas April 30th.

Director: Warwick Thornton
Screenwriter: Warwick Thornton
Cast: Rowan McNamara, Marissa Gibson, Mitjili Napanangka Gibson, Scott Thornton, Matthew Gibson, Steven Brown, Gregwyn Gibson, Noreen Robertson Nampijinpa

Article written by Hayley Van Es. You can catch Hayley on 3CR community radio as a co-presenter on the program ‘Girly is Good’.

Tags: 3cr community radio, australian film, australian movies, Girly is Good, Hayley Van Es, Samson & Delilah, Samson & Delilah (2009), Two Flat Whites

This entry was posted on Sunday, April 26th, 2009 at 11:14 pm and is filed under Australian Film, Film Reviews, What's hot. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.